Today we’re sharing a classic from our library, Saul Bass’s Henri’s Walk to Paris. You probably know Saul Bass from either his logo designs, movie posters or his iconic title sequences he created with his wife, Elaine. Those sequences remain a lasting legacy and have been revered, pastiched and parodied. As can be expected, we’re huge fans of Bass and of his bon mot “Design is thinking made visual.” It sure should be.
The book we’re showing today is a slightly less known work: Bass’s only children’s book. Bass’s illustration style, well-known from his posters, is quite recognizable with its vivid, flat colors and cutout shapes. This style is also quite remarkable for how it seems to anticipate the prevalent style of today’s vector illustrations with their, you guessed it, flat colors and geometric shapes.
But Henri’s Walk is truly a designer’s work, rather than just an illustrator’s (lovely as the illustrations are). It makes a smart use of page layout and typography in a way which is intriguing and playful (see e.g. the ingenious ideas on how not to show the characters’ faces to make the story more general). Both images and the text itself tells a story that delights and makes you wonder. And, of course, the colors are simply gorgeous.
Henri’s little house in his little town. The town of Reboul seems lovely.
The park with five trees and one squirrel.
Most of the people of Reboul plus one cow.