“Malbork between Politics and Sacrum” Book

Once again we got the absolute pleasure of designing a book in the series of catalogs for the Castle Museum of Malbork, the fifth one. This one consists of essays about the 19th-century attempts to restore the then-ruined castle to its former glory, inspired by Romantic fascination with the past.

Once again the color palette was inspired by the exhibition that preceded the book and we quite enjoyed working with this range of browns and golds (not our typical palette). While the layout and general typographic choices continue the line established in the previous publications, this one includes some nods to the 19th-century aesthetics and design. The pattern is derived from original historical illustrations. One of the most fun parts to design proved again the half dust-jacket. This time the outside is decorated with a pattern also designed from bits of historical drawings, resembling maybe a fancy gift paper?, and once you undfold it, it becomes an exhibition poster. We used an extra spot color, the lovely metallic beige, both inside the book and on the dust jacket, and a different spot color for the poster. The title is hotstamped with golden foil.

The previous books in the series can be seen here and here (we’ve yet to photograph the parts of the series with the exhibited works of art…). And here’s the book’s official description on our website with some more photos.

Book Exhibition

Our exhibition in the Academy of Fine Arts in Gdańsk is open for a few more days (until Thursday) if you feel like dropping by. Otherwise, please enjoy a few photos that we took.

The gallery space is cozy, with a few charming details, including an old doorway. We chose a simple, minimalistic arrangement based on black and white, with coral-red accents. Since most of the book designs include patterns or ornaments we used those to design symbols so that each book is represented by one. We replaced most captions with those symbols, referring the viewer to the boards on the wall so that they can participate in a small riddle. (They don’t have to, of course, because it’s not hard to figure out which board goes with which book anyway.) From the boards they can learn details about the book they’re looking at: its client, technical specs, grid.

Polish Books in Taiwan

We’ve been mostly stuck at home for the longest time now but at least one of the books we designed got to travel far. Theodor Joseph Blell Inventory for the Castle Museum of Malbork was awarded last year in the Most Beautiful Polish Books Competition and together with the other winners it is exhibited in Taiwan Design Museum in Taipei! We are sharing with you a few photos we received courtesy of the Museum and below please find a fragment of the press release. This is quite exciting for us!

What an interesting typography in this poster.

What is the meaning of a ‘beautiful’ book and the ‘virtue’ underneath the surface of a book? These books are not just any books – this will be made clear at Not Just Library of Taiwan Design Research Institute, where the very rare, extraordinary and first exhibition of The Most Beautiful Polish Books takes place in early 2023 during the Lunar New Year from 17 January to 19 March. Curated by the Sasson Kung – an expert in European graphic design and Jessie Chen – the publisher of a graphic design zine Circle, the exhibition is hosted and organized by the Taiwan Design Research Institute with contributions from Polish Office in Taipei and the full, unconditional support from The Polish Association of Book Publishers (PTWK) – bringing the magnificent results of the Most Beautiful Polish Books competition 2021 (the 62nd in its long history) to the audience in Taiwan. The Institute also liaises with Taipei Book Fair Foundation to jointly celebrate the Guest of Honor – Poland at the Taipei International Book Exhibition this year. […] Collectively these books portray the breadth and depth of subjects (history, arts, music, theatre, movies, social issues…) and demonstrate the mastery in editing, visual and graphic arts (some subtle, some bold, classic, modern, simplistic, intricate, eccentric… but always functional) with the support of exquisite printing crafts in contemporary Polish publishing industry. They manifest the unique ‘beautiful’ viewpoints and styles, remind the audience of the great achievements of Polish graphic design throughout its history (the renowned Polish School of Posters in 1950s–60s) and prove how design could evolve without losing its essence, heritage and identity.

From Taiwan Design Museum materials

On the left in the back you can see the Blell cover adapted for a promo poster!

All the photos in the post except for this one by Taiwan Design Museum. This one just to remind you the book.

(Over) 12 Days of Christmas

So did you guess from last week’s drawings that the thing that weirdly inspired us to draw an entire poster (not sure if it’s exactly a poster but that seems the closest) is the song “Twelve Days of Christmas”?

It was on our car Christmas playlist and since the kids insited we listened to the playlist a lot, we always got the song stuck in our heads (we’re talking the Bing Crosby & the Andrews Sisters version). Drawing it seemed like the most natural next step, didn’t it? Probably not, but we had, unusually, a little time after Christmas and chose to play with very traditional, very unpolished drawing that we rarely get to do anymore. Were it an actual job, we’d have chosen a very different style but this proved very relaxing. And time-consuming – but mainly relaxing.

If you like to know about technical details, the drawings were done with brushmarkers, and then everything was arranged on the green background on the computer. I watched most of The White Lotus and some more while doing it, just so you get some idea.

Sneak Beak

Hope your year is starting well and you’re full of energy. We have some doubts about the wisdom of starting the new year in January, arguably one of the least inspiring months of the year, but we’ve been working quite intensely all the same. In fact, we spent some time after Christmas doing something entirely for fun, which we hadn’t done a lot last year, and today we’re sharing some illustrations from that little project. We’ll show you all of it next week but if in the meantime we wonder if you can guess what the project was about.

“Regnum” Book with a CA Award

As the title says, we are very happy to announce that the book we recently shared with you, Regnum defendo… designed for the Castle Museum of Malbork, received a Communication Arts Award for book design. We thank the jurors for recognizing our work and thanks to the client for letting us go a little wild with it.

“Regnum defendo…” Book

It’s crazy how behind we are with sharing our current (and less-than-current) projects. We have some of them photographed, some even edited, and tons waiting to be photographed (anybody wants to intern with that? It’s super boring so probably not). But. This book absolutely needs to be shared because it’s one of our favorite projects from the last year. It is titled Regnum defendo ense et alis tego stricto and it is a second book in a series, after Sapientia aedificavit sibi domum that we designed before (you can see it here). It accompanied the second in a series of exhibitions on the history of the Malbork Castle – this one showing the history after the Teutonic Knights, when Malbork became a part of the kingdom of Poland.

The design of the book is at its core based on Sapientia… but the color scheme, elements of the typography and layout were updated to match the second exhibition. The strong typographic arrangements are inspired by books from the period and appear not only on the cover but also on the title pages and in the introductions of all the articles. The title on the cover is debossed in golden foil. The half dust-jacket with a crest – from a document whose motto was used to title the exhibition – unfolds to a double-sided poster. This books is less minimalistic than the first one (or, appropriately, more “baroque”) and as such was a different kind of challenge and fun to work on.

You can find a few more images on our website.

Vegetable Letters Workshop: Results

A while back we told you about the workshop we ran where people had a chance to create their own food lettering. Today we’re finally sharing some of the really cool results.
Disclaimer: because of the data protection (and because we don’t really have the names of all the authors) we’re not signing any of the designs. But if it’s yours and you want credit, please let us know!

Before it all started, some of the materials we prepared.

And as it was happening.

And finally, some of the works:

A super impressive, confident work with a smart use of the natural veggie curves.

A classic theme. And look at this ingenious heart.

This is by our youngest participant who designed his name.

And another name piece, this time by a slightly older author.

Just initials, but with a creative, varied use of apples.

The beginning of a cool leek alphabet.

This one impresses us a lot, we love the varied Os and the use of seeds. It means “calmness.”

This fun, rich work says “Your choice.”

There was definitely a common theme for some of the works. This is another example of confident decision-making.

Some people chose to do illustrations instead of letters, and how could we mind if the results are so awesome.

Thank you, everyone, for participating, it was more fun than we expected and the effects really impressed us. And for those of you who might worry, we salvaged what was salvagable (most of it ended up in a soup) and composted the rest. See you next time!