A while back we told you about the workshop we ran where people had a chance to create their own food lettering. Today we’re finally sharing some of the really cool results. Disclaimer: because of the data protection (and because we don’t really have the names of all the authors) we’re not signing any of the designs. But if it’s yours and you want credit, please let us know!
Before it all started, some of the materials we prepared.
And as it was happening.
And finally, some of the works:
A super impressive, confident work with a smart use of the natural veggie curves.
A classic theme. And look at this ingenious heart.
This is by our youngest participant who designed his name.
And another name piece, this time by a slightly older author.
Just initials, but with a creative, varied use of apples.
The beginning of a cool leek alphabet.
This one impresses us a lot, we love the varied Os and the use of seeds. It means “calmness.”
This fun, rich work says “Your choice.”
There was definitely a common theme for some of the works. This is another example of confident decision-making.
Some people chose to do illustrations instead of letters, and how could we mind if the results are so awesome.
Thank you, everyone, for participating, it was more fun than we expected and the effects really impressed us. And for those of you who might worry, we salvaged what was salvagable (most of it ended up in a soup) and composted the rest. See you next time!
We are very happy to share with you the fact that Theodor Joseph Blell Inventory received awards in The Most Beautiful Polish Books competition. The book received an Honorary Mention and a Special Award for perfect typesetting. This book, which we described in detail here, was an exciting challenge and we are delighted to have it noticed, also in its more technical, less flashy aspect that nonetheless cost us a lot of time and ingenuity. (Those tables!)
Tomorrow we’re participating in a double event. It consists of a promotion of the book Fête funèbre or Art and Death, which is published by the Painting Department of the Academy of Fine Arts and which we designed. The book follows an exhibition catalog that we designed a few years ago and includes essays on the subject of how death influences art. (We will obviously show you the book once we have it.)
The other event is an opening of an exhibition titled Hamlet’s Prop: Skull in Visual Arts and among some great works there will be also our modest poster from the Iconic Painters series, on de La Tour.
We also had the pleasure of designing the poster for the event: it combines a plant motif used for the book cover with a skull invoked by the exhibition’s title. You can see a simplified version above (with way less text than in the printed version but the same illustration). If you’re in Gdańsk and in a slightly morbid mood, come join us!
This used to be a guessing game but we already told you the answer.
We had a busy Night of Museums last Saturday. One of the events we took part in was the opening of an exhibition at the Museum of Gdańsk whose graphic elements we designed. The exhibition, titled “In a City Mood,” shows paintings of pre-war Gdańsk, created by artists who often lost their Gdańsk home. The image of the city is idealized, nostalgic but despite that, perhaps surprisingly, familiar to anyone who knows the city.
The exibition is arranged quite charmingly in a new exhibition space in the Artus Court in a way that recalls old, cozy salons, with dark blue walls, golden frames for the paintings and actual furniture: chests of drawers to open and see etchings inside and armchairs for visitors to rest in. Our designs correspond with the coziness of the interior design: with slightly old-fashioned ornaments and decorative serif typography they add to the exhibition’s sentimental atmosphere.
We already teased this project but didn’t yet show you the result. For the 50th anniversary of the Museum of Gdańsk we were invited to design the anniversary medal that would be presented to people who were important for the Museum’s history. We worked on the graphic design while the 3D design and production supervision were superbly done by Biuro Kreacja: Dorota Terlecka.
One side of the medal shows the Museum’s logo surrounded by a shape inspired by an architectural detail from one of the museum’s buildings. It is, in fact, an interpretation of a gothic ceiling with its characteristic spiky forms. On the other side there is a typographic design with a Latin motto chosen for the occasion, which translates as “To Each Their Own.” For this we chose a modernised serif letter inspired by Roman capitals. The medal is packed in a simple box with silver print.
This was a new and exciting experience but we are particularly grateful for Dorota’s expertise because object design is a very different animal than the regular flat work we do…
Every two years we get a chance to play with paper birds, letters and poets and the time has come for a new version to emerge. This is, of course, only an in-work photo of the elements, with the actual art to follow soon.
Today we are sharing one of our most challenging and satisfying projects from the last year. The Castle Museum of Malbork owns a hand-written document that lists all the exhibits owned by the Museum at the end of the 19th century, created by Theodor Blell. In an attempt to study the history of its collection the Museum researchers have deciphered and translated the document so that it could be published in a book format.
The book consists of several parts: introductory essays, the translation of the document with numerous footnotes, photographic illustrations and the transcription of the original text. Most of the book only uses two colors: black and red, with the exception of the colorful photographic insert which we printed on glossier, more creamy paper. The main challenge of the design (that, to be honest, we loved) consisted of translating the looser spacial arrangement of the original lists into very strictly organized modern tables so that all the various (and not always consistent) distinctions used by the author wouldn’t get lost. Of course, a huge part of this was done by the translator but we enjoyed doing our part as well.
With the colors inside quite limited, we went for a minimalistic cover without actual print: the title is debossed and then hot-stamped with silver foil on bright gray canvas. Because of the nature of the text that consists mostly of ordered lists, the whole book – including the cover, the contents page and more – uses table-like arrangements that hover stylistically between the old and the new.
This photo from the colorful insert shows a spread from the original inventory: this is what all those tables looked like hand-drawn.
We’re photographing new stuff to share with you but editing takes forever so for now enjoy the sneak peek of an anniversary medal we had the pleasure of designing with Dorota Terlecka (Biuro Kreacja) for the 50th anniversary of the Museum of Gdańsk. We’ll show you more soon and now back to editing!