It’s crazy how behind we are with sharing our current (and less-than-current) projects. We have some of them photographed, some even edited, and tons waiting to be photographed (anybody wants to intern with that? It’s super boring so probably not). But. This book absolutely needs to be shared because it’s one of our favorite projects from the last year. It is titled Regnum defendo ense et alis tego stricto and it is a second book in a series, after Sapientia aedificavit sibi domum that we designed before (you can see it here). It accompanied the second in a series of exhibitions on the history of the Malbork Castle – this one showing the history after the Teutonic Knights, when Malbork became a part of the kingdom of Poland.
The design of the book is at its core based on Sapientia… but the color scheme, elements of the typography and layout were updated to match the second exhibition. The strong typographic arrangements are inspired by books from the period and appear not only on the cover but also on the title pages and in the introductions of all the articles. The title on the cover is debossed in golden foil. The half dust-jacket with a crest – from a document whose motto was used to title the exhibition – unfolds to a double-sided poster. This books is less minimalistic than the first one (or, appropriately, more “baroque”) and as such was a different kind of challenge and fun to work on.
We already teased this project but didn’t yet show you the result. For the 50th anniversary of the Museum of Gdańsk we were invited to design the anniversary medal that would be presented to people who were important for the Museum’s history. We worked on the graphic design while the 3D design and production supervision were superbly done by Biuro Kreacja: Dorota Terlecka.
One side of the medal shows the Museum’s logo surrounded by a shape inspired by an architectural detail from one of the museum’s buildings. It is, in fact, an interpretation of a gothic ceiling with its characteristic spiky forms. On the other side there is a typographic design with a Latin motto chosen for the occasion, which translates as “To Each Their Own.” For this we chose a modernised serif letter inspired by Roman capitals. The medal is packed in a simple box with silver print.
This was a new and exciting experience but we are particularly grateful for Dorota’s expertise because object design is a very different animal than the regular flat work we do…
Today we are sharing one of our most challenging and satisfying projects from the last year. The Castle Museum of Malbork owns a hand-written document that lists all the exhibits owned by the Museum at the end of the 19th century, created by Theodor Blell. In an attempt to study the history of its collection the Museum researchers have deciphered and translated the document so that it could be published in a book format.
The book consists of several parts: introductory essays, the translation of the document with numerous footnotes, photographic illustrations and the transcription of the original text. Most of the book only uses two colors: black and red, with the exception of the colorful photographic insert which we printed on glossier, more creamy paper. The main challenge of the design (that, to be honest, we loved) consisted of translating the looser spacial arrangement of the original lists into very strictly organized modern tables so that all the various (and not always consistent) distinctions used by the author wouldn’t get lost. Of course, a huge part of this was done by the translator but we enjoyed doing our part as well.
With the colors inside quite limited, we went for a minimalistic cover without actual print: the title is debossed and then hot-stamped with silver foil on bright gray canvas. Because of the nature of the text that consists mostly of ordered lists, the whole book – including the cover, the contents page and more – uses table-like arrangements that hover stylistically between the old and the new.
This photo from the colorful insert shows a spread from the original inventory: this is what all those tables looked like hand-drawn.
Rezydent Hotel is located by the main promenade street of Sopot, a small, delightful town between Gdynia and Gdańsk, located by the sea and known for its touristy qualities, relaxed atmosphere (and high prices of housing). The hotel is visible immediately as you enter the street from the train station and it makes for a pleasant view. Recently we had the pleasure of designing its new logo.
The logo was inspired by two things: the strong tradition of art deco design that is characteristic of Sopot’s history and images inspired by the natural landscapes of the town: the beach with its sand and waves and waving grass. That’s why the lines of the R mark form a shape that is between geometric and organic.
The simplicity of the mark is intended so that it doesn’t overwhelm the design of the interior and instead complements its various stripes and lines.
The book we have a pleasure of sharing today is a first one in a series. We quite enjoy designing series because in addition to the challenge of shaping a new book, you have to think of other issues: will this really cool solution actually work in the next volume, especially if it happens to cover a rather different subject matter? And, a crucial question, how to make the series consistent but not too repetitive?
Anyways, this series, published by Zajezdnia History Center, consists of history books that gather academic essays on specific issues, mostly from the second half of the 20th century and relating to particular geographic locations. The first book talks about the countryside in the western and northern Poland after 1945: the difficulties it went through under the communist regime and how the economy and lifestyle of people changed.
The design of the book is a nod to modernist design which appeared in Poland in a somewhat different form than in Western Europe but was still a very strong visual language. The ornaments in the book, partly crop illustrations, partly geometric patterns (which you’re fully justified to read as fields), appear on the cover and at the beginnings of essays (and they were fun to create). The illustrative material included with the essays is mostly a bit dry and so goes well with the modernist style and the geometric typography. Part of the cover design is printed in green foil.
The next books in the series will retain the typography and the style but with different color schemes and, obviously, different ornamental themes.
Beginning of an essay about attempts to design a typical country dwelling.
Beginning of one of two big sections.
This 1945 poster tells people arriving to Lower Silesia not to waste time pointlessly wandering the town.
In 2018 Poland, together with many other countries, celebrated a 100 years of independence. This occasioned many interesting projects and we had the pleasure of being involved in one of them. Zajezdnia History Center organized an oral history project in which interviewers talked to around a hundred people whose age neared a hundred (and so the age of independent Poland). The results were published in a book called Contemporaries of Polish Independence that we designed.
The interviewees talked about their life and how it was affected by the turbulent hundred years of the Polish century: from the 1920s and 1930s, through WW2 and the communist regime up to the actual independence and democracy. The book is divided into chronological chapters and illustrated with private photographs, some of them quite amazing.
Even though we were tempted to emphasize parts of the text, the editors wanted all the interviews treated equally not to single anybody out and so we simplified the original typographic project. We added purple to national Polish colors (red and white) so that the overall result is more interesting. The cover includes portraits of all the people from the book, while the hotstamped empty circles suggest all the other centenarians who also witnessed the last hundred years in Poland.
Table of contents.
This might be the best photo in the entire book. But the competition is strong.
What did we say about amazing photos? This gem reminds us of a famous photographer Tadeusz Rolke’s work but it comes from a private photo album.
In the 19th century the Malbork Castle, now a world heritage site, was in a bad shape, used for commercial purposes, its buildings in disrepair. The Society for the Restoration and Beautification of the Malbork Castle was established to gather finances and organize the necessary repairs. For 50 years the Society published its reports on how the works were going, including lists of members, financial assets and especially the progress of renovations.
Now these reports, a valuable source of information on the history of the Castle, are published in Polish by the Castle Museum in Malbork. The large book contains the translations of all the original reports, together with articles, explaining the background of the organization.
The main challenge and the main attraction of designing this book lay in combining the nods to the original reports with modern design. The originals were hardly consistent, changing visual styles every now and then, and even the logic of the internal organization, while it was our job to restore those. To reference the originals we used German typefaces from the early 20th century, table designs and ornaments are also inspired by the originals.
The idea for the cover comes from how the original reports were bound: in hand-made marbled paper. We ordered sheets of this (though, of course, the budget only allowed the use of scans in the final book) and, in fact, we had to change the pattern a few times because each time a type of paper was chosen it proved sold-out before we ordered it. The price of working with single copies, I guess. This paper is combined with canvas and the only words are printed in rose-gold foil on the canvas.
And in case anybody cares, the work on this book was great fun!
Title page of 1896 report with a custom ornament.
The tables list all the financial assets for a given time period.
There’s double page numbering. This close-up shows a page number from the original report.
Title page for one of the introductory articles. Also: marbled paper.
Last year the Museum of Gdańsk was celebrating its 50th anniversary. We had the honor and pleasure of being graphically involved in these celebrations. We designed the logo of the anniversary and a book on the history of the institution. Covid restrictions meant that the celebrations were humbler than originally planned but the book makes it possible to prolong them with some solid history reading.
The logo of the anniversary uses the cross pattern from the regular logo, but interwoven with diamonds.
The book is titled “From the City Hall to the Museum”, which references the fact that one of the buildings belonging to the Museum is an old city hall of Gdańsk. Through five essays the book tells the story of the then-young Museum of Gdańsk: how it was established among the political upheaval of the 1950s Poland, how the buildings were slowly reconstructed after the war’s destruction and how the young institution was involved with the life of the city’s inhabitants. It’s quite fascinating for any history lover.
The logo for the Museum’s anniversary inspired the design. We used the diamond pattern and gold paint throughout the book. We drew another inspiration from old newspapers which constituted an important source material for the book’s authors. We used a golden diamond raster on some of the photographs to recall the raster of old newspapers and chose typographic solutions that also bring them to mind. Red color and thick frames also appear in the design for that reason.
In addition to the golden color of the frame, the cover has embossed diamond pattern. The cool photo shows workers installing a reconstructed sculpture of the king.
A title page of the first article, about the life in Gdańsk in 1960s.
Additionally, some of the pages fold out to highlight the most interesting photos, with a detail of the same photo printed in the golden raster on the cover of the folded page.
We again congratulate the Museum on the occasion and wish it 500 years more!