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Those of you who’ve been with us for a while will have seen this project but we’re reposting both for the new guests and because of the special occasion: the 25th anniversary of the first emission of Friends, which remains just about the most popular TV show in TV history (we go by impression, not data, here).

For us the show was certainly an important one (well, for one of us; the other one only watched it much later). We celebrated 20 years of Friends with a poster in which we designed an icon for each episode: that was a lot of icon-designing and a lot of Friends-watching and both of those things were so much fun.

poster_friends_wizIf you like the poster, it’s available for sale here.

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And for those who only like a particular season or would like all the seasons separately so that they can cover the entire wall with bigger Friends icons, we also made 10 posters for 10 seasons.

friends-20-redesign-season01Season 1: The One Where They Get a Monkey, a Fussball Table and Rachel (buy here).

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Season 2: The One Where Joey Moves Out and Back In (buy here).

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Season 3: The One with All the Drama with Ross and Rachel (buy here).

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Season 4: The One That Ends in London (buy here).

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Season 5: The One with Monica and Chandler’s Secret (buy here).

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Season 6: The One Where Monica and Chandler Get Engaged (buy here).

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Season 7: The One Where Monica and Chandler Get Married (buy here).

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Season 8: The One with Rachel’s Pregnancy (buy here).

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Season 9: The One Largely about Babies (buy here).

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Season 10: The Last One Where They All Become Adults (Except for Joey) (buy here; all posters can also be bought here).

Original post with a bit more of our Friends story and sentiments here. (And yes, we’re Monica and Chandler fans.)

And on an unrelated note: did you know there’s a Friends Lego set? You probably did. It seems quite fun.

On August 15th 1969 Woodstock music festival started. It featured some of the greatest musicians of the era and became a legend of the counterculture of the 1960s. This year marks the 50th anniversary of the festival and we already celebrated it with a poster. But because we like the subject matter so much, we also created a series of small illustrations depicting some of our favorite Woodstock musicians.

Day 1.

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Richie Havens opened the festival and played for almost three hours, waiting for other performers stuck in traffic to arrive. The performance built his career.

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Melanie Safka is known for her energetic, lighthearted music and enthusiasm. Woodstock performance inspired her to write a song “Lay Down (Candles in the Rain)” because people lit candles during her set.

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Currently famous mostly for her cooperation with Bob Dylan, Baez has been a great folk musician and one of the most significant female voices to appear at Woodstock.

Day 2.

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Not yet well-known, the band Santana with its front man Carlos Santana became huge after their Woodstock performance and went on to be one of the biggest names of the ones that appeared then.

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Creedence Clearwater Revival performed late at night but still managed to energize the crowd with their catchy, powerful music.

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One of the greatest legends of the 60s music, Janis Joplin was a star of the festival. A wonderful performer and an icon of her era, Joplin died tragically a year later.

Day 3.

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A huge band at the time, Jefferson Airplane performed on Sunday morning. The band epitomized the philosophy and lifestyle of a 60s rock’n’roll band.

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Like Janis Joplin, Jimi Hendrix would burn bright but short – he also died a year later. His Woodstock show was the last of the lineup and technically took place on Monday.

Who are your favorite Woodstock musicians?

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(First of all, this post is so late – sorry about that. Our son is back to preschool and this means back to the onslaught of all sorts of cold viruses like you wouldn’t believe. But we’re powering through.)

A long time ago we started Project Doolittle: both a tribute to the Pixies’ great album and an experiment in tangible type. By the time we finished the project, that is designed all 15 covers for all the songs, it is (already a bit past) the 30th anniversary of the release of Doolittle so the project becomes even more of a celebration of this record.

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Each cover is a different attempt at tangible typography: letters made of various materials, crafted by hand, sometimes designed by us and sometimes based on existing typefaces. We didn’t mainly focus on the connection between the material and the song, going more for an impressionistic, poetic if you will, relation between them (though in some cases the connection is more obvious than in others). We wanted to experiment with 3D typography to see how much using actual, physical objects rather than a computer adds to typographic designs.

This project started as one of our very first forays into handmade type and in the period between its beginning and ending we managed to do quite a few such projects (including a PhD thesis) but we are happy that we chose to return to this series and finished it because it’s one of those string-free projects that are very fun to work at. Hope you enjoy it as well.

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And so we come to the final Project Doolittle cover, this one for possibly our favorite song from the album: “Debaser.”

The title is relatively short, which always allows for a more complicated (and in this case more expensive) material than the longer titles. In fact, we had some discussions about what to use for this one, one of us squeamishly opposed to meat typography. We’re not exactly vegetarian (yet, anyway) but we don’t like preparing meat ourselves and we wondered if this wouldn’t be too much to handle. However, in the end it proved, well, manageable (and a rather delicious dinner because we don’t like wasting food).

Fair warning: if you don’t like looking at close-ups of meat, you might want to skip some of the images.

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Back cover.

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So this ends “Project Doolittle”: despite a longish break between two halves of the project, in the end we managed to do all the covers. Next week we’ll show you all of them together, just in time to celebrate the 30th anniversary of the album’s release (we hope so anyway, because whenever we promise to do something on time, we tend to be late).

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This year marks 100 years of the establishment of the Bauhaus school of design and we (along with the rest of the world) are celebrating the occasion with a poster.

Bauhaus is one of the most recognizable names and most important institutions in the history of design and particularly modernist design which – as you may know or not – is very much what we love. So working on the poster was pure (math-tinted) pleasure.

We drew several iconic Bauhaus designs isometrically (celebrating Bauhaus artists’ – and ours – fondness for isometry) and arranged them into a number 100.

You can buy the poster on the Bazaar or Society6.

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Our version of the logo for the centennial.

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This detail includes Wassily Chair by Marcel Breuer, Marianne Brandt’s tea infuser and pot by Wolfgang Rossger & Friedrich Marby.

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This detail includes furniture from Gropius’ office and nesting tables by Josef Albers.

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This might be our favorite piece of Bauhaus design: chessboard by Josef Hartwig.

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Happy Bauhaus 100!

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We’ve reached homestretch of Project Doolittle: today last but one design for “There Goes My Gun.” (Also, we know nothing about sports.)

For a metallic effect the song suggested to us, we chose to play with aluminum foil. It is one of materials we like to return to every now and then because of how flexible it is. We used the foil in three different ways to render letters, going from more three-dimensional to deconstructed.

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One to go! Homestretch (or not)!

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With uncommon (for us) consistency we push on to the finish line with Project Doolittle. This week it’s “Mr. Grieves” with script lettering made of – not really hair. But it sure looks like hair. What it really is is tow (and boy did I have to look up the English name).

We put off this project for a while, expecting the material to be hard to work with, but it surprised us with its relatively pleasant point between flexibility and stiffness. It only took minimum amount of cursing and re-shaping the letters: I imagine it would be much harder to work with actual hair.

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Two to go but we’re still deciding upon the last materials.