As promised, today we want to share a few wonderful books we found in Paris. We spent a lot of time in museum bookstores and, as if that wasn’t enough to run out of money, we lived near a wonderful little bookstore specializing in art books and children books. I’m sure it was put there specifically to bankrupt us and it nearly did. But our collection grew again. In the post we will show you a few more French finds of our stay.
As usual we enlarged our collection of Petit pop-up Panoramiques, which we keep showing you every time. In addition to Paris and Louvre, which we already had, this time we found the whole of France compressed into a small book of pop-ups. This one has more painterly, delicate illustrations than other books in the series, less humorous and more fashion-like, which we find refreshing. It also has so many places we’ve yet to see.
In Musée d’Orsay’s bookstore we found a whimsical and quite charming comic Moderne Olympia, a story of Manet’s Olympia and her ambitions to become an actress. We haven’t read the whole story yet (our French might not be enough to get all the jokes, sadly) but the most lovely idea is that the story happens among famous pictures from the museum. Various scenes and characters are recreated from the paintings but, of course, in a different context. This is the kind of illustrative and intellectual fun that we always look for in art books and only sometimes manage to find.
And if one is not quite an art history expert the code at the last page is supposed to give you a list of all the paintings used in the story (we haven’t tested that yet but it’s certainly a good idea).
Now, I’ll admit at first sight I overlooked Romance. But once you give this book a few minutes of your time and take care to understand its concept, it’s quite breathtaking. It’s an entirely fresh experiment in storytelling, married with gorgeous illustrations and impressive technical savoir-faire (heh).
The story expands from chapter to chapter and invites you to participate in telling it. Illustrations, words, even typography combine to add to the history, which makes it incredibly intriguing. It’s like a fairy tale that you heard million times as a child but always managed to find something new in it.
Additionally, and this is explained by the fact that the author has a silkscreen experience, it employes a neat technical trick. All the colors are special colors instead of regular CMYK and four special colors – applied with amazing understanding of how halftone works – create the whole color scheme of the book, including all the tints. This might not seem very exciting if you don’t think about the technical side of printing much but for us it was quite awe-inspiring.
And finally our possibly favorite new acquisition, Oh! Mon chapeau. You certainly noticed the little fact that we are suckers for pop-up books but more often than not we are disappointed to find them matched with bland illustrations and lacking in creativity. None of this applies to Chapeau. It’s as creative as books get, with a wonderful understanding of what pop-ups can add to the story (for instance, it uses very well the simple fact that something can hide behind a pop-up). The illustrations (as, if fact, the whole technical part of the book) are deceptively simple but it’s rare to see simplicity matched with such charm and lightness. Many illustrators try to achieve it as it is, clearly, a trend of today but few manage in such a seemingly effortless way.
In addition to the lovely Mondrianesque color scheme, the book has a difficult to define Parisian feel. Instant love.