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redesign-pnp-01Last week we showed you Dracula primer but we bought one more book from this series and this one is probably even more exciting because it’s not only a charming book but also a whole playset – based on Pride and Prejudice by Jane Austen. So you can teach your child to count horses, villages and pounds a year but you can also make your own Lizzy and Darcy figures and act the whole story (or, you know, a different story, as long as it has Regency clothes and carriages in it). If this is not awesome, we simply don’t know what is.

redesign-pnp-02This is the cover of the book, as it lies in the lovely box which doubles as a ballroom. And here are some spreads from the book. As you can see the main elements of the plot are faithfully recreated, including the finances.

redesign-pnp-05 redesign-pnp-06 redesign-pnp-07You can, of course, buy the book without the extra elements and it’s still quite wonderful but you would be missing out on a lot of fun:

redesign-pnp-03The practical box contains also boards with cutout figures and scenery elements, which you can assemble into the elements of your own PnP story. You can make Jane run off with a valet and raise sheep, why won’t you.

redesign-pnp-04 redesign-pnp-08Not only are the illustrations cute and the very idea highly enjoyable, we actually really like the production quality: the pieces are sufficiently sturdy and should probably survive quite a couple of games (at least we imagine so).

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redesign-dracula_primer-01If you think we’re done with showing you gorgeous books… well, you are wrong. We still have bunches of them left, waiting for a day when we feel like spending a part of Sunday photographing them. Yesterday was just such a Sunday and so enjoy this lovely little gem, a counting primer based on Dracula by Jennifer Adams.

It’s a part of a whole series in which classic novels are turned into books for little children (and obsessive designers) with simple yet quirky, charming illustrations. We saw them online a while ago and ogled them hungrily so when we found two (yes, one more is coming) during a book fair, we simply had to get them.

redesign-dracula_primer-06redesign-dracula_primer-05It’s quite lovely how the book turns the rather somber, gothic atmosphere of the novel into something children-friendly but not entirely devoid of the original gloom. And this is, predictably, our favorite spread. Notice the cute use of typography. And the wolves, of course.

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The heroes also look very cool:

redesign-dracula_primer-04redesign-dracula_primer-03We’re not showing you all the pages but rest assured that there are more gothic elements like garlic and even coffins. Overall, highly re:commended.

redesign-feminine_mystique-01The next book in Words Matter series is a feminist classic, a sociological study by Betty Friedan The Feminine Mystique from 1963. The book describes a situation of housewives trapped in their role, with their opportunities limited by what Friedan famously described as “feminine mystique”.

We like working with feminist texts because there is so much iconography to use. Here, we decided to play with what one might imagine as symbols of femininity, particularly of those women constrained to their kitchen and living room. We chose a slightly more complicated but most traditionally feminine technique of embroidery, with the book’s title embroidered on a simple kitchen cloth. This was particularly appropriate in Polish where the equivalent of “cloth” can serve as a disrespectful name for a woman (not a swear word exactly, but definitely offensive). But we feel even without this additional linguistic sense, the very object of a kitchen cloth is sufficiently disregarded to put our point across.

an-il-07As embroidery is not one of our strong suits (or something we would even know how to start) we asked for the help of my mom, who’s been developing her own embroidery technique all her life and agreed to help with the project, transporting our design to an actual cloth. The pink gingham pattern we chose for the background makes the design both casual and girlish. We chose script typography, which can be associated with womanly writing but also with various kitchen- or restaurant-related designs. Finally, we added a simple ornament, which we intended to be between a typical plant ornament and something more, well, anatomical.

Once the embroidery was ready, it turned out it took many attempts to arrange the cloth properly. We wanted the impression of a cloth casually dropped somewhere, without any second thought, so that is looks like the valueless object that it is. Here are three of many more attempts we rejected (on our all-purpose Ikea table):

redesign-feminine_mystique-04Whether we actually dropped the cloth, hoping for a random natural arrangement or tried to arrange the folds ourselves, we weren’t happy with the result because the top part took too much attention. These arrangements were not terrible but still not what we had in mind, so eventually we settled on something much simpler.

redesign-feminine_mystique-03What we like about this cover is that we think we managed to reflect the subversive nature of Friedan’s title, its irony. It is also always exciting to employ a traditional technique in a meaningful way, which was actually one of a few points that we tried to make in Words Matter project.

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Jane Jacobs by re:designAs you may have noticed, we love working with Lego whenever we get a chance and so we gleefully worked them into the Words Matter series. Jane Jacobs’s book The Death and Life of Great American Cities is a classic work on urban planning, including the criticism of modernist urban thought for its lack of focus on human needs. We found Lego blocks to be a great material for this one because of their modular, grid-based character, which illustrates well modernist ideas but adds a playful element to the composition.

Obviously, building letters of Lego was fun but it didn’t go as easy as you might think. In fact, the final construction is our the second attempt. The first one looked like this:

First attemptIf you compare it to the final version, you will see that the letters were broader and lower and we didn’t feel they reflected the height of the cities well enough. While the erosion of some of the letters was visually interesting, we thought they started to resemble ruins, which was too strong an association. Finally, the round bits were too dominant, making the material too obvious. And so we disassembled the whole construction and started again to finally reach this:

The Death and Life of Great American Cities by re:designWe covered most of the letters with flat white blocks (and we did have to raid all the sets for these) so that they looked more abstract and added some extra pieces for the greater sprawl of the composition. In fact, there was one more aspect to the design, as this image will clearly show you:

redesign-cities-03We thought grayness was a very important part of the design but our Lego collection is not nearly extensive enough to include that many blocks in one color. And so it took some post-processing to reach the result we wanted. However, we did want to share the colorful version because we feel it looks fun (and gives you some idea about our process).

The Death and Life of Great American Cities by re:design

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As promised, today we want to share a few wonderful books we found in Paris. We spent a lot of time in museum bookstores and, as if that wasn’t enough to run out of money, we lived near a wonderful little bookstore specializing in art books and children books. I’m sure it was put there specifically to bankrupt us and it nearly did. But our collection grew again. In the post we will show you a few more French finds of our stay.

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As usual we enlarged our collection of Petit pop-up Panoramiques, which we keep showing you every time. In addition to Paris and Louvre, which we already had, this time we found the whole of France compressed into a small book of pop-ups. This one has more painterly, delicate illustrations than other books in the series, less humorous and more fashion-like, which we find refreshing. It also has so many places we’ve yet to see.

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In Musée d’Orsay’s bookstore we found a whimsical and quite charming comic Moderne Olympia, a story of Manet’s Olympia and her ambitions to become an actress. We haven’t read the whole story yet (our French might not be enough to get all the jokes, sadly) but the most lovely idea is that the story happens among famous pictures from the museum. Various scenes and characters are recreated from the paintings but, of course, in a different context. This is the kind of illustrative and intellectual fun that we always look for in art books and only sometimes manage to find.

re-paris-02 re-paris-03 re-paris-04And if one is not quite an art history expert the code at the last page is supposed to give you a list of all the paintings used in the story (we haven’t tested that yet but it’s certainly a good idea).

re-paris-10Now, I’ll admit at first sight I overlooked Romance. But once you give this book a few minutes of your time and take care to understand its concept, it’s quite breathtaking. It’s an entirely fresh experiment in storytelling, married with gorgeous illustrations and impressive technical savoir-faire (heh).

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The story expands from chapter to chapter and invites you to participate in telling it. Illustrations, words, even typography combine to add to the history, which makes it incredibly intriguing. It’s like a fairy tale that you heard million times as a child but always managed to find something new in it.

Additionally, and this is explained by the fact that the author has a silkscreen experience, it employes a neat technical trick. All the colors are special colors instead of regular CMYK and four special colors – applied with amazing understanding of how halftone works – create the whole color scheme of the book, including all the tints. This might not seem very exciting if you don’t think about the technical side of printing much but for us it was quite awe-inspiring.

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And finally our possibly favorite new acquisition, Oh! Mon chapeau. You certainly noticed the little fact that we are suckers for pop-up books but more often than not we are disappointed to find them matched with bland illustrations and lacking in creativity. None of this applies to Chapeau. It’s as creative as books get, with a wonderful understanding of what pop-ups can add to the story (for instance, it uses very well the simple fact that something can hide behind a pop-up). The illustrations (as, if fact, the whole technical part of the book) are deceptively simple but it’s rare to see simplicity matched with such charm and lightness. Many illustrators try to achieve it as it is, clearly, a trend of today but few manage in such a seemingly effortless way.

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In addition to the lovely Mondrianesque color scheme, the book has a difficult to define Parisian feel. Instant love.

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Aaand we’re back. As was obvious from the illustrations, we spent this year’s holiday in Paris (again), where we had a great time (again). We also bought a few books we will want to share with you but first, as promised before our leave, we want to share a few unique finds from Warsaw Book Fair. Because many of the books we bought tempted us with their canine heroes, we decided to make them the theme of today’s post.

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This one by Beatrice Rodriguez is called The Chicken Thief and it is created completely without words. In fact, the only way the title appears is on an additional sleeve, so that the book can remain word-free. It’s an exciting picaresque about a kidnapping and a chase, including themes of friendship and forbidden love. The level of wordless storytelling is truly impressive and the author makes great use of the panoramic size of the book, which gives illustrations their unique character and structure.

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Chien Fou is another little gem about perseverance and the rewards of hope. It’s also about a little dog that runs a lot. The illustrations are guaranteed to make you a little sad and then quite happy. Also, do notice the lovely colors and masterful page compositions.

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Attention, voila Grand loup! is a simpler books for smaller children but it makes a great use of paper flaps where small animals hide from the big wolf (unnecessarily, it will turn out in an optimistic ending). Also, even though the illustrations are clearly much simpler, they manage not to be bland and boring. We enjoyed discovering who’s hiding behind the curtain or in the closet quite a lot and I’m sure for a small kid it must be quite an adventure.

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Finally, Le Petit Loup Rouge is a book we first saw online a while ago and we didn’t even know if it was actually published. We loved it back then and we loved it even more when we saw it in all its paper glory. It’s a marvelously illustrated tale in the best tradition of surrealist fairy-telling. It also has gorgeous typography and lovely atmosphere. There’s nothing not to adore about this one.

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In case it made you wonder, most of these books happen to be in French because French literature was the theme of this year’s Fair. We bought books in English and in Polish too, they just didn’t happen to be about foxes, wolves or dogs: but we will share at least some of those at some later time. At any rate, for a moment we could’ve fooled ourselves that having already bought books in French we won’t need to buy them in Paris so maybe for once we’ll come back with not too heavy a bag but, of course, we were so, so wrong, as you will see next week.

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Sorry, but today’s post got swallowed by our trip to Warsaw Book Fair. You can see a selection of our spoils above and we’ll share more once we’ve taken better photos. It was a lot of fun but unfortunately ended in a cold and so instead of working on a post I’m choosing to go to bed. Regular updating (or, sort of regular) continues next week so have a good time until then.

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