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(First of all, this post is so late – sorry about that. Our son is back to preschool and this means back to the onslaught of all sorts of cold viruses like you wouldn’t believe. But we’re powering through.)

A long time ago we started Project Doolittle: both a tribute to the Pixies’ great album and an experiment in tangible type. By the time we finished the project, that is designed all 15 covers for all the songs, it is (already a bit past) the 30th anniversary of the release of Doolittle so the project becomes even more of a celebration of this record.

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Each cover is a different attempt at tangible typography: letters made of various materials, crafted by hand, sometimes designed by us and sometimes based on existing typefaces. We didn’t mainly focus on the connection between the material and the song, going more for an impressionistic, poetic if you will, relation between them (though in some cases the connection is more obvious than in others). We wanted to experiment with 3D typography to see how much using actual, physical objects rather than a computer adds to typographic designs.

This project started as one of our very first forays into handmade type and in the period between its beginning and ending we managed to do quite a few such projects (including a PhD thesis) but we are happy that we chose to return to this series and finished it because it’s one of those string-free projects that are very fun to work at. Hope you enjoy it as well.

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And so we come to the final Project Doolittle cover, this one for possibly our favorite song from the album: “Debaser.”

The title is relatively short, which always allows for a more complicated (and in this case more expensive) material than the longer titles. In fact, we had some discussions about what to use for this one, one of us squeamishly opposed to meat typography. We’re not exactly vegetarian (yet, anyway) but we don’t like preparing meat ourselves and we wondered if this wouldn’t be too much to handle. However, in the end it proved, well, manageable (and a rather delicious dinner because we don’t like wasting food).

Fair warning: if you don’t like looking at close-ups of meat, you might want to skip some of the images.

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Back cover.

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So this ends “Project Doolittle”: despite a longish break between two halves of the project, in the end we managed to do all the covers. Next week we’ll show you all of them together, just in time to celebrate the 30th anniversary of the album’s release (we hope so anyway, because whenever we promise to do something on time, we tend to be late).