As promised last week, we are sharing with you one of our favorite designs of the last year: the book for the Castle Museum in Malbork, Sapientia Aedificavit Sibi Domum.
The book tells a story of the State of the Teutonic Order in Prussia in over a dozen scientific articles, both in Polish and in English. It accompanied a large exhibition organized by the Museum last year (exhibition design, elements of which we used for the book design, was created by Maciej Bychowski).
The book’s limited color scheme of black, white and silver is derived from the imagery of the Order, including the famous white coats with black crosses on the back that inspired our design of the dust jacket. When the dust jacket is unfolded, it doubles as a two-sided poster. On the silver cover the title is hotstamped in brighter silver and the exhibition logo is printed with spot varnish (only visible after removing the dust jacket). Inside we also used silver extensively, including in the photos and for title pages of the chapters. The proportions of the page are golden ratio. We allowed the elegant, classic typography to be the main design element in most of the pages.
Dust jacket unfolded into a poster.
Title page for a Polish version of an article with two bookmarks visible.
The beginning of an article.
Silver photo on black.
Title page of an English version of an article (silver on white).
We loved working on this book and hope it shows in the design.
A few months ago we finished a book for the Malbork Castle Museum.
The Malbork Castle is a world-famous heritage place, a 13th century castle built by the Teutonic Order (Malbork was then called Marienburg if that tells you more). It is a truly impressive historic monument well-worth visiting. The book is a scientific study of life in the castle at the time when the Teutonic Order lived there. It talks not only of politics and economy but also of minutiae of everyday functioning of this huge establishment.
The book’s design had to be sober not to distract from the academic content. Mainly, we had to make the information aesthetic and legible. We chose to use a golden-brown spot color for all the special texts in the book and for archival photographs which are printed in gold and black. The cover contains a golden-brown photo of the castle and the title is hotstamped in silver.
We will share more photos of the book later but for now they’re not properly edited so check back soon.
Today Poland, like a few other European countries, is celebrating the 100th anniversary of re-gaining independence in 1918. We were going to make a special post to celebrate this momentous occasion (we had an idea and everything) but life – literally – happened and we haven’t managed, which is a pity. So instead we’re sharing with you a design we made for local celebrations of this anniversary in Gdańsk.
It combines the words niepodległość (“independence”) with 100 so that the zeroes are also Os. The crown with two crosses is the symbol of Gdańsk and it’s placed symmetrically to the 100. The design uses gold with red and white, which are both the colors of Gdańsk and great colors for any Poland-related celebrations (red and white being the colors of the Polish flag).
“Gdańsk celebrations of the 100th anniversary of Polish independence.”
Last week heat waves defeated us but this week we finally managed to see the exhibition held in the Museum of Gdynia, showing the work of one of the greatest Polish designers, Karol Śliwka.
Śliwka worked for decades in the period of communist regime in Poland when the conditions for graphic design were completely different than they are now (long story). He almost single-handedly introduced logo modernism here and dominated the visual landscape. He created posters, packaging and, most of all, logos, following strict, intellectual rules according to which a mark needs to be the synthesis of ideas that represent a company or an institution in a beautifully geometricized form. What is more, unlike some other modernists’ of the period, Śliwka’s logos are rarely pure geometric experiments: they retain human heart, a sense of humor and joy, despite their minimalist form.
The exhibition shows him as a versatile designer, good with illustration, classically trained but particularly focused on his biggest love, logos (which he actually learned to design by himself, as he studied different disciplines). We thoroughly enjoyed the experience and encourage you to visit the exhibition, should you be in Gdynia soon(ish).
Below you can see the logo for Towarzystwo Przyjaciół Warszawy (The Society of Friends of Warsaw), which is probably our favorite of all Śliwka’s logos, simply because it had no right to work – and it does so well. The letters form the shape of a mermaid with a sword and a shield, the symbol of Warsaw.
A neon made from Śliwka’s signature.
On the wall you can see some of Śliwka’s posters, which he usually designed in a similar way to the logos.
Book and brochure covers.
Peace building and in the background a brilliant logo for the Institute of Mother and Child (a medical institution). It’s Lubalin-level brilliance, and we don’t say that lightly.
Packaging for sweets.
These are quite brilliant in the simple decisions made here.
A screen from a short, interesting movie about Śliwka in which, our friend Patryk Hardziej shows to him pages devoted to his work in Taschen’s Logo Modernism. Patryk is one of the creators of the exhibition and a great champion of Śliwka’s work, and he’s been working on popularizing it for a couple of years now.