Tag Archives: literature

redesign-pnp-01Last week we showed you Dracula primer but we bought one more book from this series and this one is probably even more exciting because it’s not only a charming book but also a whole playset – based on Pride and Prejudice by Jane Austen. So you can teach your child to count horses, villages and pounds a year but you can also make your own Lizzy and Darcy figures and act the whole story (or, you know, a different story, as long as it has Regency clothes and carriages in it). If this is not awesome, we simply don’t know what is.

redesign-pnp-02This is the cover of the book, as it lies in the lovely box which doubles as a ballroom. And here are some spreads from the book. As you can see the main elements of the plot are faithfully recreated, including the finances.

redesign-pnp-05 redesign-pnp-06 redesign-pnp-07You can, of course, buy the book without the extra elements and it’s still quite wonderful but you would be missing out on a lot of fun:

redesign-pnp-03The practical box contains also boards with cutout figures and scenery elements, which you can assemble into the elements of your own PnP story. You can make Jane run off with a valet and raise sheep, why won’t you.

redesign-pnp-04 redesign-pnp-08Not only are the illustrations cute and the very idea highly enjoyable, we actually really like the production quality: the pieces are sufficiently sturdy and should probably survive quite a couple of games (at least we imagine so).



Here goes: we did read Fifty Shades of Grey. We tend to read bestsellers in hope that what made so many people happy will also work for us. Well, it’s sometimes true; sometimes it definitely isn’t. With Fifty Shades we got to be a hit at parties for a little while when we summarized the story to people who had not read it (“No way! You’re making it up, right?”) so there’s that. But, all in all, we don’t really get the popularity of this book.

One thing we found very puzzling was the style of the book and, among other things, how some words would keep reappearing even though they didn’t really fit. Maybe because of our recent work on Friends, we thought how a word-of-the-day toilet paper (the kind that Joey once had) would explain the use of certain words. And once we thought of it, we simply had to reverse engineer this imaginary item and share it with you.

50-words-2-rollWell, we simply had to comment on the phenomenon of Fifty Shades, using the occasion of the world première of the movie. If you count yourselves among the fans, bear with us: I’m sure you hate something we love, too. If you don’t: yep. This book might be a terrifying social experiment. Otherwise, we just don’t get it.

Also, happy Valentine’s!






re-cowgirls-02Every now and then we get a little… bluesy, shall I say, because we don’t get nearly enough books to design. Quite a while ago in one of such moods, we designed and set a whole novel: Tom Robbins’ extravagant Even Cowgirls Get the Blues.

Even though it’s a single copy printed for us so I guess you could call it a unique book, we wanted it to be rather practical and entirely readable. It didn’t have to, however, pander to any publishing standards, and so the cover is only a cream sleeve with a few holes punched through to show the red cover from underneath.

re-cowgirls-01The title appears on the spine and on the title page. We went with our love for Futura and paired it with a more scripty, old-school typeface for all the display purposes but the text is set traditionally, in a serif typeface.

re-cowgirls-09 re-cowgirls-10 re-cowgirls-08 re-cowgirls-07Each new part of the novel starts with a motto that we printed on fold-in pages with black circles suggesting both punch holes and bullet holes.

re-cowgirls-04 re-cowgirls-05Obviously the circles on the external side of the part intro align with the ones inside to create a more realistic impression of holes.

re-cowgirls-06And finally, for the climactic shoot-out scene, we did something we wouldn’t be able to do with a novel meant for mass publishing and punched holes in the page:

re-cowgirls-03And frankly, we suggest you read the book if you haven’t already. If its tone doesn’t put you off from the start, you’ll probably enjoy it quite a lot.


We’ve been insanely busy for the last week so today we’re only showing you a sneak peek of three illustrations that happened as a last-minute request. These are fragments of stories we made up for three well-known and well-loved figures. We’ll show you the whole pieces in near(ish) future.

re-dayinlife-2 re-dayinlife-3

re-writers-portraitsToday’s illustration comes from a bigger, obviously book-related publication we’re working on right now. We created simple portraits of twelve writers. Some of them you certainly know, some you might not have necessarily heard of as they are more local. This proved to be an amusing challenge and we will tell you more about it once we have the whole project to share.


Fourteen Books to Love Here at re:design we heart many things – LEGO blocks, huskies, bacon, The Good Wife, Christmas Eve and I could really go on – but books are definitely in our top three. And now that Valentine’s Day is upon us again we profess our love for literature with a series of (literally) heart-centered covers.

Memoirs of a GeishaHeart is a fun shape to work with and surprisingly versatile. Each cover uses the shape as the center of the composition around which a symbolic illustration and typography are arranged. The books range from pulp romances through venerable classics to postmodernist experiments but all feature some version of the eternal love theme.

LolitaLolita by Vladimir Nabokov, an ambitious and rather pervy, if read literally, take on love.

Bridget Jones DiaryBridget Jones’s Diary by Helen Fielding, a decidedly unambitious take.

The Vagina MonologuesThe Vagina Monologues by Eve Ensler (a more physiological interpretation of the theme).

The Hunchback of Notre-DameFatalistic view of love and life in The Hunchback of Notre-Dame by Victor Hugo.

Quo VadisQuo Vadis by Henryk Sienkiewicz.

In Search of Lost TimeIn Search of Lost Time or in love with the past, by Marcel Proust.

Cinder House RulesCider House Rules by John Irving.

Ireland: a NovelIreland by Frank Delaney.

A Good YearA Good Year by Peter Mayle.

Homer's DaughterHomer’s Daughter by Robert Graves.

NanaNana by Emile Zola, a socially critical anti-love story.

One Hundred Years of SolitudeOne Hundred Years of Solitude by Gabriel Garcia Marquez.

The GamblerAnother classic, The Gambler by Dostoyevsky.

Memoirs of a GeishaMemoirs of a Geisha by Arthur Golden, love in Japan.

Title page of LolitaTitle page for Lolita, with the logo for the series.

Books to LoveSeries of spines. For typography we chose a combination of Scala and Stag. We picked a limited color palette of reds and grays with some greens and yellows.

re:design loves booksThe logo of the series, consisting – predictably – of 14 hearts.

And we wish all of you a happy Valentine’s Day (either spent with your beloved person or with your beloved book).

Truth be told, today’s poster started a long time ago as a concept entitled “It would be fun to make letters of carrots.” Carrot letters remained on our minds – not constantly, though – until we found a way to incorporate them into the Theatre of Literature series in a perhaps somewhat abstract but not completely random way: to illustrate Anne of Green Gables.

Probably nobody needs this classic story described. We focused on the one most characteristic feature of beloved Anne, her orange-red hair that earned her Carrots nickname from teasing but oh-so-charming Gilbert.

More indirectly we found carrots a good match because they bring to mind a certain simplicity of rustic life that is present in L. M. Montgomery novels. We made letters out of carrot slices, having bought a particularly big  specimen for the purpose. We contrasted orange letters with the green background because of the strong contrast but also because of the greenery of Montgomery’s countryside setting. (Also, this way form and meaning go hand in hand, as we prefer them to do.)

We didn’t design the letters ahead, just experimented while carving into the slices. A carrot proved, as we hoped, a very graceful material, submitting easily to our ideas.

And because we enjoyed working with carrots so much, we did not stop with one poster but designed a whole Carrot Alphabet for future use and reference and for the challenge the other letters presented. Of course, it’s possible to do some of the letters differently but in general we’re pleased with them.


Get every new post delivered to your Inbox.

Join 20,596 other followers