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May you have wonderful Christmas time and may it fill you with peace and joy!

Best Christmas wishes from re:design

(Also, we know we’re late this year but a combination of overwork and cold made these Christmas preparations intense and stressful and something had to give. Still, the wishes are a bit more intense for every hour they are late. XOXO!)

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May you have a wonderful Easter time
and may spring fill you with peace, joy and new energy.

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For this year’s card we decided to play with the motif of a Fabergé egg, made of paper. Both the fact that these eggs are heavily decorated and that they have a surprise inside made for a fun challenge (and, of course, the egg itself was a rather obvious choice for Easter). We searched the net a bit for an inspiration of how to make the egg itself and the rest almost designed itself (but it didn’t cut nor fold itself – that took bits of two days).

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Last week we shared with you a book by Anouck Boisrobert and Louis Rigaud about the ocean. But the first time we encountered a book by these artists was In the Forest, their beautiful and sad story about deforestation (and, luckily, re-forestation). It uses very ingenious techniques of paper engineering to talk in simple ways about the destruction of forests, still ending on a hopeful note. While the ocean book is probably more cheerful, this one, we feel, works more strongly.

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(Also, as a not-irrelevant side note, consider not buying products with palm oil, if you feel the need to do something.)

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May you have a wonderful time during the holiday season,
may you spend it in warmth and joy with the people you love
and may you find a moment to do something silly and fun.

This year again we managed to find time for a hand-made Christmas card which doubles as a Christmas tree decoration. The making-of process pictured below:

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It’s been (too long) a while since we last shared with you the love for our design idols. Today we want to focus on someone who we’ve been reminded of in a gift shop of Les Arts Décoratifs, where we saw a huge Dior exhibition: Mats Gustafson. His huge impressive book of illustrations for Dior was sold there and it was so pretty (but also large and expensive so we couldn’t buy it, not yet anyway – take a look on Amazon, if you’re interested). But we knew his work before (one of us anyway, the one who loves fashion illustration and thinks no one does it better than Gustafson).

Gustafson is a Swedish illustrator living in New York, with a background in stage design, who introduced into fashion illustration different media: watercolors, cutouts, color papers and uses them in such a unique, beautiful way that his work is instantly recognizable. Fashion illustration generally tends towards pretty but Gustafson makes it sublime, with his minimalist, painterly sensitivity (based on solid skill in drawing). Gushing time over, now look at the pictures (from the artist’s official representative’s site where you can see his newer work now – these works below are from our archives) and fall in love.

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We find patterns a particularly good test of how a style is working for fashion illustration. Test passed.

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Incredible use of paper.

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And a deer. For his personal projects he seems to like drawing animals. And what do you know, he’s great at it.

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With fall so completely upon us it’s nice to think back on holidays and one way to do that is to look at the books we’ve brought with us. As usual, our trip to Paris has resulted in increasing our library of touristy books about Paris. This time let us share a smart little pop-up called, well, Paris Pop Up by Dominique Ehrhard (here‘s a link, should you be interested).

It presents the biggest tourist attractions of the city as 3D models literally rising from the pages of the book as one leafs through it. Each building is situated in its proper place on a fragment of a map and prefaced by a short introduction on the previous spread. All in all, it’s a simple idea quite ingeniously executed and much prettier than most tourist guides.

The intro map with all the attractions and their relative locations.

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An introduction to the Arc de Triomphe.

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And the Arc itself.

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The Louvre.

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The Notre Dame Cathedral rising from its pages in several steps.

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Centre Pompidou (it even has an exhibition poster visible).

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If you know as at all, you know we love tangible type, book covers and paper. Our “Inspiration” archive is full of such finds and today we decided to share a few lovely works which combine all these things: prepare to be amazed by book cover designs where the title is made of paper.

We will start with ours – and everyone else’s – favorite, the brilliant Peter Mendelsund and his covers for Ben Marcus. The covers use deceptively simple typography on slips of paper interwoven with almost as simple ornaments. The ornaments directly refer the parts of the titles (flames, sea) and boast lovely, subtle color palettes. It’s always particularly impressive when something looks almost too easy to bother with and yet is masterful.

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This cover designed by Gabriele Wilson also uses the traditionally printed words which are surrounded by a seemingly random, but really quite sophisticated composition of shredded paper strips. Together they create an atmosphere of mystery and maybe even danger but mixed with the kind of ennui in administrative offices (I’ve no idea what the book is about, just interpreting the cover image).

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One of the common – and usually quite successful and guaranteed to make us happy – tricks is writing made of paper which peels off, revealing something underneath it. However, in this design by Zoe Norvell, the three-dimensionality of the text doesn’t focus attention on the layer underneath. Instead it allows for its entanglement with the threads, playing on the title.

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And in this cover by Tori Elliot the cut-out of letters and shapes plays a more traditional function. It creates the clash between the simple white outer layer and the green illustration underneath, suggesting the lushness of jungle but also how it is not evident at first sight.

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This design by Sinem Erkas uses memo notes to refer to the theme of memory and as material for the creation of semi-spacial letters. Even though the letters are very simple in shape, they prove that the designer possesses a lovely sense of form.

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And here are sticker bookmarks used in an delightful – and impressive – composition by Jon Gray. Not only is this design a smart comment on the complexity of the novel, it is also very pleasing esthetically.

Finally, three covers by one of our favorite cover designers ever, an extremely prolific David Drummond. Mr. Drummond is the master of an ingenious idea realized often with minimalist methods, and quite frequently employing paper.

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Paper/page topography.

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Paper lettering.

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Remember we said it would be both minimalist and ingenious?

Obviously, this is only a small selection because paper might be the most versatile material designers get to work with and it allows for all sorts of solutions. Personally, we tend to be most charmed by simple-yet-brilliant ideas executed with a mix of efficiency and lightness, as evidenced above.

Also, traditionally we’re informing you about a 20%+free shipping promo on our Society6 stuff – you’re most welcome to visit our store.