This year marks 100 years of the establishment of the Bauhaus school of design and we (along with the rest of the world) are celebrating the occasion with a poster.
Bauhaus is one of the most recognizable names and most important institutions in the history of design and particularly modernist design which – as you may know or not – is very much what we love. So working on the poster was pure (math-tinted) pleasure.
We drew several iconic Bauhaus designs isometrically (celebrating Bauhaus’ artist – and ours – fondness for isometry) and arranged them into a number 100.
You can buy the poster on the Bazaar or Society6.
Our version of the logo for the centennial.
This detail includes Wassily Chair by Marcel Breuer, Marianne Brandt’s tea infuser and pot by Wolfgang Rossger & Friedrich Marby.
This detail includes furniture from Gropius’ office and nesting tables by Josef Albers.
This might be our favorite piece of Bauhaus design: chessboard by Josef Hartwig.
Happy Bauhaus 100!
Last week we took J to an exhibition in Sopot that shows three Japanese poster designers. He didn’t seem much awed by those masters but we were, and so we’re sharing with you some highlights. (Note: the gallery didn’t allow for photos in the exhibition so all the images are internet-derived.)
We were definitely most impressed by Ikko Tanaka, who started his long career in Tokyo and worked for many institutions and corporations. We knew some of his work, mostly the posters based on illustrations of faces, but seeing many posters displayed together allowed us to admire the style he developed. He combined modernist love for geometricization with a sensitivity to the Japanese tradition of woodcut and illustration. He also managed to make these posters very decorative with the choice of color and with a really good sense of how to use simplification to create attractive forms.
Tanaka’s famous face posters: on the left the most well-known one. These show his mastery of simple forms and colors.
Tanaka’s geometricized natural forms form the possibly most accessible part of his work.
The second designer, Yusaku Kamekura, is probably the most revered one, and slightly older than the other two. He also combined Western inspirations with Japanese tradition but in a less consistent way: he used different techniques, geometric, painterly, even photographic. He’s most famous work is probably that related to the 1964 Tokyo Olympics.
There is something very decorative and ornamental about many of Kamekura’s posters.
And the third one, Shigeo Fukuda, differs a bit. He didn’t seem that inspired by either modernism nor Japanese traditional art but instead sought surrealist metaphors and visual illusions. While we like his ideas, the style speaks to us the least, reminding us of some later Polish poster designers we don’t necessarily enjoy as much.
Fukuda returned many times to the same motifs, like the folded piece of paper…
…or the most charming one, an Escherian dachshund.
In addition to the very interesting poster exhibition, the gallery also held two more typically art exhibitions: one of Polish painting (mostly from 19th and early 20th century) and one of contemporary art inspired by a Polish modernist sculptor, Katarzyna Kobro. These excited our son more, particularly the projector used for one of the modern exhibits.
A most impressive painting by Weiss, showing school girls on a walk in Kraków. We were awed by the subtle color palette and the photographic composition, particularly that not all of Weiss’s work is equally exiciting.
Speaking of dachshunds (?), a charming pastel sketch by one of our favorites, Stanisław Wyspiański.
A variation on a medieval illumination turned into a fairy tale by Zbigniew Waliszewski (“The Hunt”).
From the modern art exhibition something right up our valley, a typographic installation by Aurelia Mandziuk-Zajączkowska. Letterforms inspired by Polish modernism.
And this is Kobro’s work, a nude.
Sorry for the short hiatus, guys, but not only did Carrie wipe us out a little – we’re also working on our new studio website and it’s a huge enterprise. We’ll share the progress as we go on, especially the new project photos.
In the meantime we wanted to show you a resurrection of sorts of one of our minimalist Disney posters: the cover for a Belgian lifestyle magazine Knack Weekend. We were asked for the Pinocchio design for the cover because it fit the theme of the issue, about the lies people tell, and we were happy to cooperate. Pinocchio gained a new background and some international exposure.
The original Pinocchio poster.
The whole series (buyable here)
And a little different find: we discovered that our Freud cover from the Words Matter series made it to the academia: it is carefully analyzed in a thesis on randomness in typography by Anders Larsson, which you can find here (we’re on pages 28-31 but read the whole thesis).
This week marks the 20th anniversary of Sex and the City, one of the cult TV shows of the late 90s / early 2000s, which changed the way people talked about sex and female friendship on TV. As you might have noticed, we like celebrating shows that were important to us with posters and so we have designed a poster for the occasion. Since one of the more characteristic things about the show (and one which has aged a little better than others) was always fashion, particularly Carrie Bradshaw’s crazy outfits, we have focused the poster on Carrie’s classic (and less classic) looks, 69 of them.
We did a whole lot of research (both re-watching the show and looking at many, many lists of “best outfits on SATC”) and sketched more than 90 looks that seemed important, then trimming the list down a little (it was still a lot of dresses to draw). We generally focused on those clothes which were somehow connected with the storylines and so, to my chagrin, did not include almost any of my personal favorites: the lunch outfits, but instead recreated various combinations she wore when breaking up and reconnecting with her significant boyfriends and experiencing .
If you like the poster, you may buy it from bza.co.
And if you like the behind-the-scenes images, here’s what the research notes look like (we’re not those designers who make beautiful, print-ready sketches).
This year Experyment Science Center celebrates Children’s Day with sports activities – but as explained by physicists. It invites entire families to play sports and learn how they work from a scientific point of view, but also to meet sports players and compete in various activities.
We were asked to include the physics element in a fairly straightforward families-playing-sports illustration, which is exactly what we did. We added vectors to the sporty family and, a little point for the observant, their letters form the word “experyment.”
A while ago students from our school undertook an action of designing ideological posters against armaments. They invited anyone interested to join. We admired their effort and also we didn’t have a chance to design this kind of poster since maybe even our own school days and so we designed the poster we’re sharing with you today. Peace.
This comes a few days after St. Valentine’s but hopefully you are still in a romantic mood. This year Experyment Science Center chose magnets as the theme of their yearly evening for adults and we designed the poster and other materials. As previously, participants had a chance to look at love from a scientific point of view.
We continued the designs with the style we have already developed for this event but this year we had a chance to add a man to the illustration. In fact, we had to work on him a little bit because the first version was bearded and we decided we didn’t like that. In the end he seems younger and a bit more, well, science-oriented.