It’s been (too long) a while since we last shared with you the love for our design idols. Today we want to focus on someone who we’ve been reminded of in a gift shop of Les Arts Décoratifs, where we saw a huge Dior exhibition: Mats Gustafson. His huge impressive book of illustrations for Dior was sold there and it was so pretty (but also large and expensive so we couldn’t buy it, not yet anyway – take a look on Amazon, if you’re interested). But we knew his work before (one of us anyway, the one who loves fashion illustration and thinks no one does it better than Gustafson).
Gustafson is a Swedish illustrator living in New York, with a background in stage design, who introduced into fashion illustration different media: watercolors, cutouts, color papers and uses them in such a unique, beautiful way that his work is instantly recognizable. Fashion illustration generally tends towards pretty but Gustafson makes it sublime, with his minimalist, painterly sensitivity (based on solid skill in drawing). Gushing time over, now look at the pictures (from the artist’s official representative’s site where you can see his newer work now – these works below are from our archives) and fall in love.
We find patterns a particularly good test of how a style is working for fashion illustration. Test passed.
Incredible use of paper.
And a deer. For his personal projects he seems to like drawing animals. And what do you know, he’s great at it.
With fall so completely upon us it’s nice to think back on holidays and one way to do that is to look at the books we’ve brought with us. As usual, our trip to Paris has resulted in increasing our library of touristy books about Paris. This time let us share a smart little pop-up called, well, Paris Pop Up by Dominique Ehrhard (here‘s a link, should you be interested).
It presents the biggest tourist attractions of the city as 3D models literally rising from the pages of the book as one leafs through it. Each building is situated in its proper place on a fragment of a map and prefaced by a short introduction on the previous spread. All in all, it’s a simple idea quite ingeniously executed and much prettier than most tourist guides.
The intro map with all the attractions and their relative locations.
An introduction to the Arc de Triomphe.
And the Arc itself.
The Notre Dame Cathedral rising from its pages in several steps.
Centre Pompidou (it even has an exhibition poster visible).
This year the Graphics Department of the Academy of Fine Arts in Gdańsk is celebrating its tenth anniversary with, among other things, an exhibition of works by teachers and graduates. As this is a place we both hail from, our work was also exhibited and yesterday we attended the opening (hence the delay, sorry!). The exhibition was curated by the estimable Anita Wasik and designed by the talented Dorota Terlecka.
We chose to show our Shakespeare Project, which has not had as much exposition as some of our other projects but remains one of the things we’re most proud of, so we are happy to see it out there.
That’s our entire corner. Each artist got to design the large banner and whatever they wanted in front of it (within budget constrictions, of course). We showed a selection of Shakespeares with the identity of the project.
Hanging those lines was soooo swear-inducing, I tell you. But hey, I did it.
Of course, our stuff is a great reason to see the exhibition, should you be in the area, but there are other designers, and personal friends, showing their projects, too. Here are some random impressions but there are tons more.
Lettering by Eugenia Tynna.
Posters by Tomasz Bogusławski.
T-shirts by Patrycja Podkościelny.
Bugs by Agata Borkowska.
Hedgehog pants by Agata Królak. Pants. With hedgehogs!
A board game by Anna Gawron and Dariusz Ogrodowczyk.
Experyment Science Centre is organizing a Science Night called Back to the Future about the truth and fiction in science-fiction. The poster had to include callbacks to science-fiction classics – and robots.
You may well imagine that this was just the thing to excite us, big geeks that we are. For the research phase we looked at tons of old science-fiction movie posters and we listed things they often include, like guns, empty planets and, most often, sexy ladies in trouble. We decided to play with those themes, while giving them a decidedly more modern and feminist skew: our lady is a no-nonsense scientist who controls the robot. She was a bit more sexy originally but that got toned down during the process. We also didn’t get to draw the planet because there was too much text but instead we combined elements of the text with the illustration.
The typography alludes to the classic Back to the Future movies without copying those solutions precisely, but instead keeping the typeface Experyment uses. The logotype is an important part of the design because it has to be recognizable as a standalone.
We’re almost back but it’s still our holiday break today. See you next week.
It was a birthday weekend here with two birthday parties and now we’re off to our holidays.