Happy Valentine’s Day, everyone!

This year we are celebrating by returning to our old project which we never got to finish: Project Doolittle. Back when we started experimenting with tangible typography, we started a series of vinyl covers for songs from the Pixies’ album Doolittle. Life happened then and we only did a little over the half of those but as this years marks the 30th anniversary of the album, we decided to finish that work.

And we’re starting with “La La Love You” made from cookies and honey.


Front cover.


Back cover.


Making of (sticky work it was).


Did you know that Ikea cookies submerged in honey will float up? Now you do.


Lots of St. Valentine-y love, guys.



In this mostly-gray-sometimes-white winter it’s nice to think back on a summery project we did last year: an exhibition for the Museum of Gdańsk, entitled “The Gardens of Gdańsk.” The exhibition was held in the Uphagen House, a museum of historical interiors, taking up one floor of it, and it illustrated the history of public and private gardens in Gdańsk, as well as the very philosophy of gardening in the – mostly – 18th century. The exhibition was curated by Ms. Zofia Maciakowska and Ms. Katarzyna Rozmarynowska and all the (often problematic) organizational problems were expertly managed by Mr. Wojciech Szymański of the Museum.

We designed the entire exhibition: the spacial arrangement, colors, typography and all the prints displayed. The materials were fun to work with because they consisted of old maps, prints and illustrations.

The map of the Oliwa Park at the entrance to the exhibition.


While we really wanted to use real plants, the rooms didn’t have enough light and so we used artificial ivy and other plants, arranged on wooden garden constructions painted according to historical conventions (this lovely green-gray color is actually historically accurate, as we learned).


The walls were decorated with illustrative etchings and large quotes about gardening.


A close-up of the quote with the author.


The boards have different depths, with the thicker sides painted the color contrasting with the wall (pink in the green room, green in the pink room).


The typeface not only fits the conventions of the 18th century serif typefaces with their large contrast and geometrical shapes but also have decorative variants that match the etchings.


Next week we’ll show you more photos.


It is this time of year again: the time of sharing the Christmas gifts we got. Probably the most impressive one is this book we kind of bought for ourselves: Vaughan Oliver: Archive. We supported the book on Kickstarter and then waited for it to get published – it managed to come a while before Christmas.

The book contains a number of materials designed or used for design by Vaughan Oliver, a design legend. It is impressively printed on Munken paper (always a plus), with a silkscreen-printed slipcase using a specially commissioned shade of orange-red. Overall, it is one of those books which work almost more by impressions than by content but remind you why print isn’t really dead whatever some people might say.